Akulina Rogova

Designed by Hendry Juanda, Givonic is a sans serif font family. This typeface has seven styles and was published by Letterhend Studio . Givonic Givonic is a new geometric sans serif and clean variable font. The typeface is versatile to blend in your design- with 6 weight, ranging from regular, medium, thin, bold, semibold, extrabold, light, extralight and black & 18 styles + variable type to touch a lot of personality. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design. Features: Variable Font uppercase & lowercase numbers and punctuation multilingual 9 weight & 18 Style PUA encoded Givonic Download Now View Gallery

Designed by Hendry Juanda, Hollow House is a display sans and novelty font published by Letterhend Studio . Hollow House Hollow House is a font which will looks great in dark / horror / spooky / scary theme. This type of font perfectly made to be applied especially in movies or storybook children which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual alternates ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing! Hollow House Download...

Designed by Robert Schenk, Bannetters is a display, display sans and novelty font family. This typeface has two styles and was published by Ingrimayne Type . Bannetters Bannetters (Banner Letters) was designed to alternate two letter sets. Both sets are formed on parallelograms, with one set of parallelograms sloped upward to the right and the other sloped downward to the right. When alternated, the result is a zigzaggy line of text. In applications that support the OpenType feature contextual alternatives (calt), the two sets of letters are automatically alternated. The Bannetters family has two styles, one with straight outer edges and the other that rounds these shapes for letters that have curved exteriors. Both styles are largely monospaced and monoline (not to mention weird, strange, and unusual). The tiling pattern of text created by Bannetters makes it attention-grabbing and appropriate for signage, posters, advertising, and other uses where eye-catching text is desi...

Designed by Rahmat Hidayat, Butterfly Beautiful is a script font published by RtCreative . Butterfly Beautiful Butterfly beautiful, a work that is purely handwritten, has natural characteristics. It’s perfect for invitations, signatures, blogs, social media, business cards, product brands. Butterfly beautiful is a simple font that has Stylistic standards, Stylistic Alternatives. and includes uppercase and lowercase letters, numbers and punctuation. FILE INCLUDES Butterfly beautiful (OpenType, PUA) Butterfly beautiful (TrueType, PUA) ssed by using OpenType smart programs like Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. special greetings for all, hopefully we are always successful with work. Price: $10 Butterfly Beautiful Download Now View Gallery

Designed by Michael Hagemann, Mariachi is a western and wood type font family. This typeface has twenty-four styles and was published by FontMesa . Mariachi Mariachi is a new condensed version of our Maison Luxe font which is a revival of an old 1800’s classic ornate French font. This new 2021 condensed version takes this old classic to an all new level by adding small caps, italics and a new black version. Mariachi is perfect for headlines and logos from advertising to product labels, t-shirt lettering and restaurant menus. Fill fonts are also part of this family, new to this font style is the half fill font for creating a two color effect on the letters, you’ll need an application that works in layers to use the fill fonts in Mariachi . The regular fill font for Mariachi isn’t meant to be used as a stand alone font so we’ve created a solid black version with thicker serifs on top and adjusted outlines throughout for a better appearance as a solo font. We hope you enjoy...

Designed by Michael Hagemann, Mi Casa is a western and wood type font family. This typeface has twenty-four styles and was published by FontMesa . Mi Casa Mi Casa is a new condensed version of our Home Style font which is a revival of an old 1800’s classic ornate French font. This new 2021 condensed version takes this old classic to an all new level by adding small caps, italics and a new black version. Mi Casa is perfect for headlines and logos from advertising to product labels, t-shirt lettering and restaurant menus. Fill fonts are also part of this family, new to this font style is the half fill font for creating a two color effect on the letters, you’ll need an application that works in layers to use the fill fonts in Mi Casa . The regular fill font for Mi Casa isn’t meant to be used as a stand alone font so we’ve created a solid black version with thicker serifs on top and adjusted outlines throughout for a better appearance as a solo font. We hope you enjoy Mi Cas...

Designed by Keith Bates, Oxford Street is a sans serif font published by K-Type . Oxford Street Oxford Street is a signage font that began as a redrawing of the capital letters used for street nameplates in the borough of Westminster in Central London. The nameplates were designed in 1967 by the Design Research Unit using custom lettering based on Adrian Frutiger’s Univers typeface, a curious combination of Univers 69 Bold Ultra Condensed, a weight that doesn’t seem to exist but which would flatten the long curves of glyphs such as O, C and D, and Universe 67 Bold Condensed with its more rounded lobes on glyphs like B, P and R. Letters were then remodelled to improve their use on street signs. Thin strokes like the inner diagonals of M and N were thickened to create a more monolinear alphabet; the high interior apexes were lowered and the wide joins thinned. The crossbar of the A was lowered, the K was made double junction, and the tail of the Q was given a baseline curve. K...

Designed by Jakob Fischer, Sugar Flash is a hand display and kids font family. This typeface has two styles and was published by Bogstav . Sugar Flash Sugar Flash is my grungy comic handmade font: I suggest that you use it for something that has to do with a partyinvitation or maybe products for kids…and sweets…in fact anything that needs a sweet angle! Sugar Flash Download Now View Gallery

Designed by Robert Schenk, Undulate is a display sans and novelty font family. This typeface has two styles and was published by Ingrimayne Type . Undulate Undulate was designed as an alternating-letter font in which two sets of characters alternate. The alternating is done automatically in applications that support the OpenType feature contextual alternatives (calt). Some individual characters look strange in isolation but they fit into a wave-like pattern in which shapes that bulge up alternate with shapes that bulge down. Undulate has monospaced and monoline letters. The letter spacing is very tight to accentuate the ripple pattern. The family includes an outline style that can be used in a layer above the regular style to add color. Undulate was not designed for any particular use but as a challenge to fit letters into a particular geometric shape. The unusual patterns that a result are eye-catching and may be useful for advertising or signage and in other places where o...

Designed by Eduardo Manso, Classike is a display sans font family. This typeface has thirteen styles and was published by Emtype Foundry . Classike Classike is a high contrast squarish display typeface. Inspired by the Art Déco period from a modern perspective. Refined and elegant yet with a mechanical vibe, it is ideal for pairing with any functional font, it works especially well with Geogrotesque, from which it inherited its proportions and soul. Classike adds an exclusive touch and helps enrich your graphic voice. A Variable Font version is included with the family or as a separate style. Classike Download Now View Gallery

Designed by Jakob Fischer, Exit Punch is a hand display font family. This typeface has two styles and was published by Bogstav . Exit Punch What exactly is an exit punch? I have no clue! :) I named the font after a wordplay with random words, and somehow I found the name suited the font perfect. The letters are awkward and unpredictable in a legible but playful manner. I’ve added ligatures for the most common double letters, such as bb, cc, dd etc. Exit Punch Download Now View Gallery

Designed by Ricardo Santos, Miragem is a serif font family. This typeface has eighteen styles and was published by Vanarchiv . Miragem This serif typeface was designed to be simple and neutral on text sizes, there descender proportions are short and the x-height is large. The loop form from the lowercase (g) is open which give more personality to this particular letterform. The lowercase italics contain different structure from roman characters, but the most differentiation detail is the fact the ascender and descender strokes don’t contain serifs. Italics characters are slightly more narrow and condensed than roman letterforms. Miragem Download Now View Gallery

Designed by Emerson Eller, Perva is a multiple classification font family. This typeface has three styles and was published by Eller Type . Perva Perva is a suite of three eye-catching fonts inspired by display types from the 19th century. This unconventional family has three different font styles that can be used individually or combined to build a playfulness multi-typeface design system. It is suitable for titling, posters headlines, book covers, packaging, social media, and branding. Perva brings together a Slab serif font, a.k.a Antique or Egyptian; a Reverse-contrast or Italian; and an Old English Blackletter. The design is inspired by the display types listed as “Typographic monstrosities” in Thomas C. Hansard’s book Typographia (1825). What he found absurd was understood here as interesting and enjoyable to introduce a contemporary approach of the types widely sold by foundries such as Bruce’s New York Type-Foundry and Caslon Foundry. Each of the three fonts holds ...